1650 mm of calm.

A long low table sits across the room — seen from every angle, reached from the sofa, the floor, the chair. So we drew the Shizu as a single quiet horizontal, 1650 mm of solid oak, low and steady, with surfaces that flow without interruption.
Not the loudest piece in the room — the calmest.
Long enough to hold the day's things, low enough to keep the sightline open. It anchors the seating without crowding it.







